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Sala 28: Il Settecento
n this room are on display some of the most important artworks of the XVIIIth century Bolognese school.
Here it can be found the most important collection of Giuseppe Maria Crespi's art.
His naturalism embodies genre scenes like the Farmer scene, while his work as a figure painter is exemplified by the Troni Family portrait, the Self-portrait or by the Portrait of an hunter.
To the circle of Giuseppe Maria Crespi can be attributed the two scenes with the Stories of Judith by Giuseppe Marchesi called the Sansone, even with a less naturalistic style and a reasearch of theatrical and rethorical effects.
Two Self-Portraits hand down the look of two painters, father and son: Gaetano e Mauro Gandolfi.
The latter can be seen as the handover to the style of the Fine Art Academy, linked to the new Pinacoteca , founded in 1803.
The production of the 1800's is conserved in the collection, but not showed, and it is important to understand the directions of the Bolognese school under the Pope Government and, since 1860's, under the new Italian State.
Philoctete nell'isola di Lemnos |
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1074 | Barry James |
Philoctete nell'isola di Lemnos
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Ritratto di Teresa Campori |
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30901 | Crescimbeni Angelo |
Ritratto di Teresa Campori
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Autoritratto |
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6295 | Crespi Giuseppe Maria |
Autoritratto
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La famiglia di Zanobi Troni |
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416 | Crespi Giuseppe Maria |
La famiglia di Zanobi Troni
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Ritratto di cacciatore |
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412 | Crespi Giuseppe Maria |
Ritratto di cacciatore
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Ritratto di Charles Hanbury Williams |
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7158 | Crespi Giuseppe Maria |
Ritratto di Charles Hanbury Williams
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San Giovanni Nepomuceno che stringe il Crocifisso |
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411 | Crespi Giuseppe Maria |
San Giovanni Nepomuceno che stringe il Crocifisso
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Santa Maria Maddalena penitente |
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7197 | Crespi Giuseppe Maria |
Santa Maria Maddalena penitente
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Scena di cortile |
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415 | Crespi Giuseppe Maria |
Scena di cortile
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Sogno di San Giuseppe | 10015 | Crespi Giuseppe Maria |
Sogno di San Giuseppe
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